Friday, 29 April 2016

Portfolio Development 2

Images & Artists of Inspiration: 

 
www.pinterest.com 29.04.2016


http://illusion.scene360.com/art/54556/through-the-looking-glass/ 29.04.16

Invisible on Flickr.
http://laurawilliamsphotography.tumblr.com/ 29.04.16

  
             www.pinterest.com 29.04.2016


  
www.pinterest.com 29.04.16

Obviously my passion is portraiture so I'm carrying on with sticking with this genre but putting a spin on the images from traditional portraiture. Producing creative portraits by using mirrors and reflections to distort the portrait. My idea for this follows on from my idea for the end of year show, exploring hidden identity, broken personalities, masking your true self from the world. As you get older you can see more clearly people around you behaving in this way. So by creating portraits to reflect this the viewer will get the narrative behind it, you can start questioning why is she broken, or masking herself? What made her like this? For this day in age the problem is social media, they get so engrossed in what other people have, look like, who they go out with, where they live etc. That they start trying to compete and live a lifestyle as others do. This in turn creates a monster inside them a paranoid, self conscious, doubtful, anxious person, who hides that away and puts on a mask for everyone to see. While really no one will ever know the true identity of certain individuals.



LAWRENCE SUMULONG





 

Lawrence Sumulong portraits are really simple yet quite effective and relates to what narrative is behind my idea. His images are concealing or obscuring the portrait which goes in hand in what I explaining above, his images are like double exposures but done in camera with reflections and textured glass. For my own images I may try textured glass, water and broken mirrors to create the same effect.

Giacomo Brunelli:


 
 
 
http://www.giacomobrunelli.com/works.php 29.04.16
Brunelli's images have harsh contrast, he chooses black & white which gives the images an added air of mystery only seeing the shadows of the environment, animals or people. He focuses on parts of the image and does this by using light to his advantage. I am wanting my images to be black and white too, I think black and white adds to the atmosphere of the image. His images could give the same context as I am putting to my images, the shadows hide the identity. In the images you don't fully see who or what the portrait is of his maximises this in the use of his lighting and contrast. Black and white also lets you focus on the details of the image and lets you take in the whole image, if the above images were in colour I don't think they would of been as effective as they are in black and white.

 
www.pinterest.com

 www.pinterest.com
paul-shanghai.deviantart.com

Looking on the internet for some more inspirational images to help progress my own idea and thoughts on images. Incorporating water with images can give a nice abstract portrait, with the collection of artists and images I'm going to try and create my own portraits. Combining some of the elements I'm excited to try out my own technique to create some abstract portraits.











Portfolio Development 1

Work and artists from Behance and others who inspire me: 

Below are some examples of work by artist off my Behance account who I'm following who's work I find inspirational. I like the idea of portraiture but not as you would think of it. Portraiture doesn't have to be just head and shoulder shots, it can be parts of the body as these are still part of you.

  

 

 
 




Abstract Body


  
  
  

During 1985 I had a short-lived interest in self-portraiture. In December 2000, again in South Africa for a vacation in Cape Town, this interest was revived, now lastingly and as the central theme in my photography. Until mid-2003 the selected body area was typically photographed in interaction with objects or landscapes. Thereafter I returned to the neutral backgrounds of 1985, and came closer to the more intimate spirit of that period. In general I sought to make a body part function as an autonomous subject and explore, in a more or less abstract way, its sculptural potential or its texture, to depict it as an object stripped of its human identity. 

Miguel Ribeiro


http://www.miguelribeirophoto.com/abstract-body.html


Cubism Portraits

Pablo Picasso

  
  

Pablo Picasso started off with cubic paints and distorting the portraits. This inspired photographers and influenced their work up till today. He transforms a standard portrait and gives the images a new dimensions back in the 1900's to be so creative and show something different was a big gamble, but his risk paid off and is still in modern photography.

David Hockney 

yekcohdivadrenioj.jpg 444celhocj.jpg 
“Joiners” owed much to Cubism—an association Hockney found to be a “turn-on.” It was the beginning of a new phase in his career, one which helped develop Hockney’s artistic vision. http://dangerousminds.net/comments/david_hockneys_cubist_photography

David Hockney produces these images by taking multiple images of the subject and joining them together hence why he came up with the name joiners. This a different way again to produce a portrait from the normal sense.

 
www.artsjournal.com                                 http://flickriver.com/photos/david_lewis_baker_arts/sets/72157602270309688/

 
han-rachel.deviantart.com


christopheryarrow1033948.wordpress.com


Jenny Saville 

  
   

Gagosian Gallery is pleased to announce the opening of the photographic series Closed Contact, 1995-96. This collaboration between painter Jenny Saville and fashion photographer/filmmaker Glen Luchford confronts and challenges conceived notions of feminine beauty. The collusion of the art and fashion worlds has produced many hybrids in recent years, yet none perhaps as intensely striking as this series. In this body of work, the artists have created a new form of self-portraiture, using Saville as the model.

After having observed the operations of reconstructive and aesthetic surgery, Saville was eager to express the violence and anesthetized pain of this experience in her own work. Luchford and Saville began an artistic collaboration that captures the full range of color, tonality and topography of live flesh, in large photographic tableaux. Distortions confront and coerce the viewer into an examination of one's own body and the grotesqueries and beauties inherent within. The images also recall biological specimens preserved, disembodied and disfigured.

"The images offer, not a story, but an experience that begins in visceral uneasiness and gradually shifts to a haunted serenity. The discomfort is complicated. It is triggered partly by our sense of the instantaneous monstrosity of a normal human transformed by the spreading of the shape beyond what we understood as normal…"


https://www.gagosian.com/exhibitions/january-12-2002--jenny-saville--glen-luchford

Ideas For My Images:


  • Portraits using mirrors
  • smashed glass
  • Face/body parts pressed against glass
  • smashed mirrors
  • obscure the lens
  • Reflective objects to capture the portrait on
  • Portraits with water obscuring the face


  • Adult holding a mirror while the reflection of a child is in the mirror.
Concept: You always have your inner child essence inside. Just as you grow up that gets locked away with responsibility's and stresses of everyday life. Sometimes that inner child comes to the surface when someones down and miserable or maybe ill. The neediness comes out wanting to be loved and made feeling safe as a child would. 


  • Young hands holding a piece of smashed mirror reflecting an old face
Could be that its a bond mother and daughter together although the glass is smashed their bind is unbreakable, the child will always be there for the mother and vise verse.